Why Is The World Watching?

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U.S Presidential hopeful Barrack Obama made the claim last Tuesday, after dropping 3 of 4 state primaries to his Democratic rival Hilary Clinton, that the world was watching what he and his supporters were doing. “The world is paying attention to how we conduct ourselves,” he said. “What will we they see? What will we tell them? What will we show them?”

One may find it hard to argue with Obama on this point, as his candidacy has certainly alerted the world to a different face of American politics. Yet “the world” is an attentive place, and people are inclined to follow a story as much for its audacity to hope as its audacity to bully. One such story, which has had a development of outlandish proportions, is about the yet to be released movie “Fitna”. As I imagine most readers will already know, Dutch MP Geert Wilders’ 10 minute film is set to aggravate an already scrutinized Muslim population, both in his native country and around the world.

His film’s message is rather simple and has been made numerous times by the man himself: Islam is fascist, and the Qur’an incites violence of deadly proportions. Wilders’ insistence on making these points central to his political career has not come without personal cost; the man has had to leave his country for a period of time, travel with constant security surveillance, and even work out of a prison cell at one point in his life. According to some he has taken up the mantle of Theo van Gogh and Ayaan Hirsi Ali in Dutch politics, although he’ll tell you he’s been making these statements long before anyone began listening to him.

Wilders’ latest attempt at international infamy is one of precision and deliberation. While last year’s Muhammed caricatures inflamed cultural tensions well after their publication, the Dutch politician’s first cinematic venture has already managed to provoke significant reaction from officials of governments that are oft-labeled illegitimate and non-representative by their constituents. Iranian officials have threatened an economic embargo and the Egyptian foreign ministry has patronizingly lectured the Dutch government on free speech and responsibility. Never mind that neither of these suddenly defensive bodies retains any authority upon which to issue statements of responsibility. They have already played right into a game which has been designed to provide ideological vindication for its designer.

As the world reacts to his unreleased film, the bleach blonde-haired politician has seemingly taken it all in stride. “It’s not the aim of the movie but people might be offended, I know that. So what the hell? It’s their problem, not my problem,” Wilders remarked in a recent television interview with an American network. The statement is masked in unwavering bravado, although it does expose a flaw in his plan which could soon turn his native population fully against him. A recent poll revealed a majority of Dutch citizens in support of the film’s broadcast, while also wary of its consequences of the Netherlands’ international image and its relations with Arab nations:

The poll by TNS NIPO for RTL television showed that 54 percent thought the film should be broadcast although 76 percent expected it to increase tensions between Muslims and non-Muslims and 74 percent saw worsening relations with Arab nations.
The survey of 600 people conducted on February 29 showed that 68 percent expected a boycott like that seen against Denmark after cartoons of the Prophet Mohammed appeared in a Danish newspaper.

The Dutch government has taken exhaustive measures to distance itself from both the film and the politician, while cautioning that citizens and companies abroad could conceivably bare the brunt of Wilders’ actions. NATO’s secretary general has joined this chorus of vigilance, warning of the potential backlash on Dutch soldiers serving in Afghanistan. “If the [troops] find themselves in the line of fire because of the film, then I am worried about it and I am expressing that concern,” he said in a television interview. With the majority of Dutch citizens now siding with free-speech over outrage, it has been suggested that any significant backlash against their country as a result of the film could swing a tide of resentment directly at the leader of the Freedom Party.

“In Holland we have a tendency to underestimate the significance of some of our politicians’ actions,” remarked Thomas Luijken, an active member of the student political party NOVUM. “With Ayaan Hirsi Ali, whether you agree with her or not, we did not realize the impact she would have around the world.” When I asked him whether, after considering the controversy this film is being met with and the warnings of harm to Dutch interests overseas, he would be willing to take a stand either for or against Wilders, he responded resolutely. “If people protest overseas, that’s their right, unless they become riots and not protests. But if Dutch are negatively affected by this abroad and this results in some sort of violence, I would join a protest against (Wilders). It’s not a very Dutch thing to do, but if (a protest) happened I would join it.”

While this was one person’s reaction, it was emblematic of relative Dutch apathy to the issue. Although media outlets have obsessed over the story for weeks now, local Muslim groups and other offended parties have responded with arguments of legality and social sophistication. In the southern city of Maastricht, the areas’ largest mosque has held discussion nights opening its’ doors to all interested parties for a ‘respectful dialogue’. Others’ who feel slighted by the movie, and with Wilders himself, have sought legal action against the politician who was recently described as a ‘rising star’ by a piece in the Guardian.

Yet what is worrying about this story is its’ propensity to attract judgment on the basis of foreign reaction. The movie’s release and broadcast may not necessarily stoke severe social tensions within the Netherlands, but looks bound to provoke an international reaction disproportionate to the issue itself. Religious leaders from Egypt and Syria have demanded the EU take action against those who insult religion, for example, bringing back into focus an increasingly familiar debate of cultural sensitivity versus freedom of speech.

What is undeniable at this point is that the world is indeed watching. They will watch both the provocation as well as the ensuing outrage, which if significant will likely find its source well beyond the borders of the Netherlands. When asked to give one statement on the issue, knowing that many around the world will be listening, Thomas Luijken grinned, and calmly issued perhaps the most pertinent of advice one could give. “Don’t take this man too seriously,” he said, “we really don’t.”

The world is watching. Here’s hoping they see an over hyped controversy for what it truly is.

(Karim blogs over at Outsider On The Inside)