Critical Storm Over Halal TV

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“Critical storm before the program begins” the headline reads, and that, it seems to me, is exactly what happens whenever a head-scarf wearing Muslim woman makes up her little hijabied head to step into the public sphere, the limelight, the media, and presume to take on a role that contradicts the cherished stereotype of the “quiet Muslim wife”. It was what happened over Asma Abdul Hamid, the first hijab-clad presenter on Danish TV, and it is also what has happened now that SVT has decided that Dalia Azzam Kasseem, Kadiga El-Khabiry and Cherin Awad should be the presenters, or to use the less contentious words of the project leader, the “main characters” of Halal TV.

This critical storm response seems a little contradictory, considering the very many efforts exerted to encourage the supposedly too-secluded and sequestered veiled Muslim woman to step out of the private enclosure of her home. It is not, however, as strange as it seems, because in most cases, the criticism focuses not at all on that much-discussed creature, the Muslim Woman, but rather on the effect she will have on others, should she appear on TV.

For example: Dilsa Demirbag-Steen compares Halal TV to letting three Nazis write the script of a documentary, or letting a priest present it. Basically, ‘veiled’ women come with their agendas wrapped round their heads and she wants her TV visually agenda-less.

I’m not so unbalanced that I will not admit her point of view is convincing, though in this particular instance a very little bit offensively phrased. However, it is a point of view that comes with assumptions attached. Demirbag-Steen evidently feels that everyone everywhere will share her own opinion on what kind of people are presenter-material and that everyone everywhere will react to the same type of person as obviously neutral.

Except, I would argue that in doing so, they would only be reacting to a carefully modulated appearance in keeping with the latest memo on how to look neutral – that is, as western, secular and uniform as possible.

But of course, like the colour white, to be western/secular is a point of invisibility. The key words here are conforming and assimilation, and that type of multiculturalism seen exclusively from the melting-pot, subsume-all-difference into WASP-equivalence angle.

Veiled women, unlike “ethnic” dress or pink hair, are especially galling because, in addition to looking so full of hidden agendas and secret plots and covered hair, they obliquely commit that worst of atrocities in a postmodern world. They announce that they believe they have found the truth. That is, you can identify their religion, as well as their skin colour, just by looking at them. This is apparently offensive, to some.

Because, as Luis Bunel said: “I would give my life for a man who is looking for the truth. But I would gladly kill a man who thinks that he has found the truth” – a sentiment he shares with the executioners of Al Hallaj, who in 922 announced: ana/ara alhaq, I am/I see the Truth, and was promptly despatched for this outrageoust presumption.

There’s just no escaping the glorification of doubt, the popularity of forever questing and questioning. I have nothing to say against that. That’s fine. Although it seems to me that “to choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation”, I  like the open-minded open-endedness doubt-glorification aspires to as much as I like to quote Life of Pi.

Seriously though, if in a postmodern world all truths are equal, why can’t a discipline of one particular truth be a TV presenter? Why kick up such a fuss over a woman whose religion you can identify appearing onscreen? Over, basically, a piece of cloth?

The critical storm has, as usual, shoved the attention away from the subject to the object. Halal TV is supposed to take up questions of equality and immigration. Not, or not exclusively, hijab. The three headscarf-clad presenters say, as they always say, that they are weary of negativity and want to change things. Just as this show seeks to make use of the shock value of three headscarf-clad women with “orthodox” Islamic values as presenters, the three headscarf-clad women seek to make use of the opportunity the show gives them to speak for themselves, and perhaps, alter misconceptions. 

It doesn’t seem they have much of a chance, judging from this article, which begins with Demirbag-Steen’s full scale Nazi-comparison attack, mentions a worried woman who says that she “fled from this sort of thing in Iran” and demands the presenters tell her why Muslim women inherit less than men. The article ends disappointingly with the defensive project leader muttering that he honestly fully understands those who have “grim experiences of Islam”, but that he also thinks people should be “allowed to say they think Islam is good”. Note the “should be allowed to say they think.” Now that’s neutrality.