Where have all the good movies gone?

by

Every summer or holiday season, I convince myself that the Egyptian movie I’m about to see is going to be different. It’s going to have an actual plot , it’s going to lack sexism and racism and if I got lucky, it might divert from the usual (Read: corny!) slapstick humor. Armed with a friend( to keep me patient ), all the understanding I can muster and cinema-specific comfort food, I sit down a few seats away from the nearest kid.

Most of the time, I leave the cinema hall feeling disappointed, offended and ripped-off. Here I am, after wasting nearly two hours of my precious life, feeling slightly older and bitter that my intellect wasn’t stimulated in any way.

The question we need to ask here is not why such pathetic attempts at film-making are still being made, it’s simply: why is the public still interested in such films?

After all, the supply of what Egypt Today, called “brainless comedies” reflects the demand for such films.

I have to admit, the Egyptian cinema was blessed in recent years with the production of films such as Sahr Al Layaly and Yacoubian building and even the recent controversial “Ehky ya Shahrezad”.

The aforementioned movies reflect Egypt’s bittersweet reality.

The divorce rates are increasing at an alarming rate, Sahr Al Layaly points out the reasons, it introduces us to the problems and challenges of marriage in modern day Egypt.

Yacoubian building takes us on a long rollercoaster-style journey into Egypt’s social ills, economic woes and the current politically-chaotic scene.

I’m writing this with poor Mona Zaki in mind, the media wasn’t particularly nice to her this summer. She delivered a memorable performance as a talk show host on a difficult mission to give a voice to voiceless Egyptian women. She gives them a voice and lets them take us hand in hand down an often painful memory lane.

Let’s go back to the other side of the wall. Egyptian comedy movies usually rely on the actor’s looks for “cheap laughs”. Maybe I’m naive, but I always thought comedy should depend on clever and witty writing. This is exactly what a lot of comedy flicks lack, good writing. Whether the movie features Mohammed Saad or Saad al Sagheer, the actors try to generate laughter based on their looks or their ability to play dumb. Al Limby, a popular movie, features Mohammed Saad, as a “mentally-challenged” person. Al Limby went on to become one of Egypt’s highest-grossing films.

It’s a shame that making fun of mentally-challenged, overweight, unattractive people makes a lot of people laugh, it doesn’t make me laugh.

Any Egyptian or non-Egyptian feminist or any woman interested in the portrayal of women in the cinema is surely mortified when she hears sexist jokes. Even good-old Adel Imam, one of the greatest actors in Egyptian history seems to be saying a lot of sexist jokes lately. Foul jokes about a women’s body are not funny, they are just foul, for lack of a more bitter word!

Then, there is the blatant racism, I cringe every time I hear “jokes” about dark people being dirty, ugly, or if there are women involved, then they are really ugly “prostitutes”.

In yet another Egyptian comedy, Ali Spicy, Hakem walks into a room only to find his friend in bed with a black woman. The racist epithets go on and on, until he scolds him by saying “they are not women, they are animals”. This was of course one of the many tasteless climaxes in the movie. I wasn’t as bothered by it as I was by the fact that it was one of the funniest scenes for most of the audience members. It was so funny, it deserved a round of applause.

It’s hard to think of contemporary Egyptian cinema without such nuisances coming to mind. I appreciate good films and I can name all the well-respected and talented Egyptian artists, but I just can’t be bothered to sit through another sad excuse for a movie.

My friends tell me the interest in such movies comes down to one thing:- economic problems. The Egyptian public wants to escape the difficult living conditions by laughing out loud. I reluctantly believe them….although I think the public deserves better.